"Giorgis has gathered the file of Ethiopian innovation that she splendidly investigates. With profound individual information, she takes us from mysterious mending looks to miniskirts, from government to communist oppression, from Paris to Oklahoma. The subtleties are interesting and the craftsmen's works themselves phenomenal, yet the genuine disclosure is Giorgis' comprehension of the politico-social cross flows that met in Ethiopia. Her introduction of them with an unflinchingly basic eye accomplishes more to observe Ethiopia's solitary accomplishments than any barely public story could give." If innovation at first came to Africa through provincial contact, what does Ethiopia's matchless chronicled condition—its freedom put something aside for a very long time under Italian occupation—mean for its own innovator custom?