The convention of slashing houses of worship out of rock, effectively verified in the past periods, is here taken to an unheard of level. The houses of worship, a few of which are unsupported, for example, Bet Georges (Church of St. George, picture at top of page), have progressively detailed and all around characterized façades. They incorporate engineering components roused by structures from the Suite Period. Moreover, a few, for example, Bet Maryam, include dazzling interior enhancements (above), which are likewise cut out of the stone, just as divider works of art. The insides of the places of worship mix Assume components with later components of Copto-Arabic deduction. In Bet Mariam, for instance, the engineering components, for example, the cut capitals and window outlines—copy Assume models (see underneath), though the canvases can be contrasted and those in the medieval Monastery of St. Antony at the Red Sea.